15. November 2019
he he he he… Corruption in the Living Room
Caroline Lillian Schopp on unspelling by Andrea Maurer
Why concrete poetry in times of “fake news”? What is one to make of, or what can one...
12. November 2019
Come here, you are exquisite
Lau Lukkarila on hi baubo by Hannah de Meyer
We enter into a room with black molleton-curtain covered walls, that suck away any potential organic echo. The...
18. October 2019
The green light
Vanessa Joan Müller on EXIT by Antonia Baehr
Ẹxit <pl. -s> (specially marked) door, emergency exit, e.g. in public buildings, on airplanes, etc. It’s dark in...
15. October 2019
TQW Magazin 2018/19
Out now!
The new TQW Magazin is out now! Free copies are availabe at TQW Studios. It brings together bilingual...
8. October 2019
Art comes from skill
Rosemarie Brucher on TANZ by Florentina Holzinger
“I am going to teach you how to govern your body” – this is more or less how...
26. June 2019
The dance of life
Rainer Fuchs on Collective Exhibition for a Single Body – The Private Score – Vienna 2019
Commissioned by the Kontakt art collection and in cooperation with Tanzquartier Wien, French curator Pierre Bal-Blanc has co-developed...
7. June 2019
Holding hands. On the knowledge of hands
Barbara Kraus on Walking:Holding by Rosana Cade
Meine kalte Hand in deiner warmen Hand. Wir kennen uns nicht, und du fragst mich, wann ich heute jemandem die Hand gegeben habe...
6. June 2019
„Only the Strong Stay Soft“
Christa Benzer on S_P_I_T_ 2019
In the scope of S_P_I_T_, the Queer Performance Festival Vienna, which took place this year for the second...
4. June 2019
Spot on women’s* art
Petra Unger on Private view by Dorothea Zeyringer with Emilia Lichtenwagner & Nora Jacobs
How can the exclusion of women from art and art history be portrayed without going into a sulk...
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