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Alix Eynaudi

BRUNO

Alix Eynaudi

dances, works and writes between craft & chaos in a (most of the time) joyful mess. She doesn’t work alone; any event, research, or invitation is an alibi to spend time with accomplices, a mesh of friendships scintillating under skins, a stirring of full-of-wonder support. She specialises in (deep) choreographic hanging-out sessions.

alixeynaudi.com

Credits

The fellowship of BRUNO is composed of Hugo Le Brigand, Mark Lorimer, Alix Eynaudi, Cécile Tonizzo, An Breugelmans, Bruno Pocheron, Paul Kotal Documentation Ujjwal Utkarsh Special thanks to Clara Amaral, Samuel Feldhandler, Sabina Holzer Production management mollusca productions Co-produced by Tanzquartier Wien, Kaaitheater Brussels Residencies MDT Stockholm, Kunstencentrum BUDA (Kortrijk). boîte de production is supported by the Municipal Department of Cultural Affairs, Vienna, the Federal Ministry of the Arts, Culture, the Civil Service and Sports, by ACT OUT, a project of IG Freie Theaterarbeit, funded by the BMEIA, co-funded by the Creative Europe Programme of the European Union through Life Long Burning. Thanks to Bears in the Park for the gracious gift of a floor. With support from the Institut français. This reprise is funded by the Municipal Department of Cultural Affairs, Vienna.

BRUNO

‘BRUNO emerges from the mist like a stranded ship, a sigh left hanging in the air. It cascades away and leaves a pause. A piece of a hole. Something that doesn’t happen. A breeze of what didn’t take place. A haunting. To let ourselves be haunted, to sigh together, to stop, to blow, to turn around, to be sad together. To not do much. To step aside, to let a rumbling moment pass, to weave our thoughts against a break, to nestle inside a break. To take a break together. To rest, to be absent from an event, together. To caress a thought. To rest, to stay there. To not worry about creating a flow, to do things in vain. To not write scores, protocols, to wait, to stop, to not fill in the gaps, to leave blanks, to dance next to our shoes. To open a hand and let go, to not hold back, to lighten, to tenderly support, to relieve. BRUNO is the emanation of a piece without an end, a cloth made of friendships and loves cobbled together. Located in a recently (or perhaps never) uninhabited linguistic space, BRUNO unfurls, unfolds its overexposures.’

Named after the light designer Bruno Pocheron, a collaborative partner of Alix Eynaudi since 2005, the piece features a cluster-like light sculpture which sprouts and transforms itself into a musical instrument through the sound design of Paul Kotal. BRUNO is a dance piece in which Hugo, Mark and Alix seem to nestle between images, evocations and invocations, never quite completing them while oscillating between figuration and abstraction. In this laboratory atrium, the dancers try the movements on as if they were clothes, challenging their contours, boundaries, and textures in a dialogical mode in which the image/notion conjured vibrates until it fits, comforts, and finally swirls away. BRUNO tests forms of encounter on stage in which light, sound and dance co-exist, casting shadows of possibilities.

A reprise within the framework of Choreographic Platform Austria

Alix Eynaudi

dances, works and writes between craft & chaos in a (most of the time) joyful mess. She doesn’t work alone; any event, research, or invitation is an alibi to spend time with accomplices, a mesh of friendships scintillating under skins, a stirring of full-of-wonder support. She specialises in (deep) choreographic hanging-out sessions.

alixeynaudi.com

Credits

The fellowship of BRUNO is composed of Hugo Le Brigand, Mark Lorimer, Alix Eynaudi, Cécile Tonizzo, An Breugelmans, Bruno Pocheron, Paul Kotal Documentation Ujjwal Utkarsh Special thanks to Clara Amaral, Samuel Feldhandler, Sabina Holzer Production management mollusca productions Co-produced by Tanzquartier Wien, Kaaitheater Brussels Residencies MDT Stockholm, Kunstencentrum BUDA (Kortrijk). boîte de production is supported by the Municipal Department of Cultural Affairs, Vienna, the Federal Ministry of the Arts, Culture, the Civil Service and Sports, by ACT OUT, a project of IG Freie Theaterarbeit, funded by the BMEIA, co-funded by the Creative Europe Programme of the European Union through Life Long Burning. Thanks to Bears in the Park for the gracious gift of a floor. With support from the Institut français. This reprise is funded by the Municipal Department of Cultural Affairs, Vienna.

21.10.
Sat
18.00
60 min
21.10.
Sat
18.00
60 min
TQW Halle G
€ 25/20/10

No spoken words

 
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