Tanzquartier Wien

The Disney imperium made Snow White the epitome of the happy girl in films and leisure parks. Audiences from Los Angeles to Hong Kong are enchanted by their waving and smiling princess actresses. Choreographer Eisa Jocson observes this apparently universal performance of happiness from a particular perspective: Disneyland Hong Kong is one of the most important employers of Philippine dancers in the region but, because of their skin colour, they are only cast in nameless supporting roles. Together with performance artist Russ Ligtas, Eisa Jocson hijaks Snow White’s physicality and speech and creates a playing field of identities. By means of mimicry and reproduction they overwrite the entertainment system’s pre-programed narratives and corrupt a closed world with their foreign bodies. In keeping with her previous solo works, Jocson continues in Princess to examine the interrelations of emotional labour, embodiment and the construction of racial and gender identities.