SADIS-ROSE
Intimate lovelorn lyrics and preoccupations for the ‘The End’ build up an emo-séance, a spell and a requiem for the astral and physical self through its cycles of life and death. SADIS-ROSE crafts atmospheres of precariousness, spiritual surrender, communion and delicate sensibilities towards messianic vulnerability as a site for collective redemption.
uses movement, sound, video and installation in site-specific and collaborative contexts. Referencing both ancient and contemporary historicity, he ties affective threads of intimacy to structural phenomena. Space, class, urbanity, migration, and anthropocentric concepts of nature are woven together into a baroque fabric of existence: dancing poetry, holding the body and its relation to non-bodies towards interruption, politic, desire, and re-territoriality.
Credits
Performance, concept Agnes Bakucz Canário Music, harp, composition Philippa Godsalve, Agnes Bakucz Canário Assistance Josi Sternbauer Light, stage Agnes Bakucz Canário Costume Isabelle Edi Outside eye Veza Fernández Styling Fania Willenig Thanks to Golbon Moltaji, Luca Sorrenti, Bears in the Park, Raw Matters, Philipp Mock, Ruben Sabel, Milo Gooder, Lewon Heublein Co-produced by Agnes Bakucz Canário and Tanzquartier Wien
Day ticket includes NEUM