Tanzquartier Wien

Samira Elagoz dedicated years to filming and researching cis men when still a female artist. While his previous works explored cis-men and masculinity in its different forms from an outside position when still identifying as a woman, his latest work, Seek Bromance (2021), changes the vantage point as Elagoz captured his own transition. Seek Bromance is a trans romance at the end of the world somewhere between insta-reality and sci-fi dystopia. It shows a relationship between two transmasculines who met during the beginning of the pandemic, who both have a history of performing highly feminine characters but who have very different attitudes as to what masculinity can be. The images that Samira Elagoz captures with his collaborator, Brazilian artist Cade Moga, document their relationship, from when they first met to their final breakup. But they also document Elagoz’s long farewell to his femme identity. A painfully beautiful, deserted world, as if a virus had wiped everything out, and they could only be infected by each other. With just a car, some cash, and a supply of testosterone, they expose the integral dynamics of masculinity and femininity.

‘I set out to edit a work I needed to see while struggling with my gender. A trans work where it’s not about educating cis people, justifying our existence or being shiny positive examples, but a real story, where the trans protagonists are complex and troubled, progressive and admirable, problematic and relatable. Where they are rebels, lovers and creators.’ – Samira Elagoz

‘…impressive and thought-provoking, Seek Bromance offers complexity in both its form and content – Almost 4 hours long, not a minute too long.’ – Helsinki International Film Festival

‘Mind-expanding gender odyssey – The conversations about gender, performance, identity, sex and nature versus nurture shake all your ideas about masculinity and femininity.’ – Theaterkrant

‘…focusing his implacable gaze on solitude, on the human relationship between genders in the digital era and in a society that eschews regularisation and control, exploring the porous boundaries between the real and the virtual, investigating the effects of love, gender, femininity, desire, its consequent annihilation and the brutal covert power plays, Samira Elagoz embarks on a journey that is intimate and poetic, yet ironic and perturbing at the same time’ – Statement of Venice Biennale