Watch Party & Discussion  
Eisa Jocson & Venuri Perera

Spill the Tea

Gossip as a Form of Knowledge Sharing
Eisa Jocson

is a visual artist and choreographer based in Manila. She came to contemporary dance through pole dance. In her pieces, she explores the entanglements of gender, affective labour, migration and corporeality. She explored the economies of pole dancing, appropriated macho dancing – a form of hypermasculine erotic dance practised primarily in Filipino gay bars – and examined the expressive and movement vocabulary of Disney characters such as Snow White, a role denied to Filipino performers in amusement parks. She regularly presents her pieces at renowned theatres and international festivals in Asia and Europe, such as Tanz im August, TPAM Yokohama, Zürcher Theaterspektakel and Frankfurter Positionen. In 2018, she received the Culture Centre of the Philippines 13 Artists Award and, in 2019, the Hugo Boss Asia Art Award.

Venuri Perera

is a choreographer, performance artist, curator and educator from Colombo. Exploring the power dynamics of visibility and opacity, she attempts to destabilise how we perceive the ‘other’. Her solo and collaborative creations deal with violent nationalism, patriarchy, immigration, colonial heritage and class and were invited to festivals/biennales/symposia across Europe, South and East Asia, the Middle East and Africa since 2008. She has closely collaborated with choreographers Geumhyung Jeong and Natsuko Tezuka. Venuri conceived and curated the projects of the Colombo Dance Platform (2015–2020, Goethe-Institut) and is committed to continuing to create support networks for the independent dance scene in Sri Lanka. A graduate of DAS Theatre, she is currently based in Amsterdam.

Spill the Tea

Gossip as a Form of Knowledge Sharing

Eisa Jocson’s and Venuri Perera’s Magic Maids highlights the working body, particularly female domestic labour from the Global South and the brown female body that performs it. In collaboration with the Island Tides Initiative, an Interdisciplinary Philippine Research Programme at the University of Applied Arts Vienna that promotes a survey of artistic strategies from Southeast Asia and the Pacific, Jocson and Perera delight us with a post-performance tea party discussion on how gossip is a strategy of information sharing and solidarity, one that circumvents and upends typical methods of ‘knowledge production’.

In collaboration with Island Tides Initiative

Eisa Jocson

is a visual artist and choreographer based in Manila. She came to contemporary dance through pole dance. In her pieces, she explores the entanglements of gender, affective labour, migration and corporeality. She explored the economies of pole dancing, appropriated macho dancing – a form of hypermasculine erotic dance practised primarily in Filipino gay bars – and examined the expressive and movement vocabulary of Disney characters such as Snow White, a role denied to Filipino performers in amusement parks. She regularly presents her pieces at renowned theatres and international festivals in Asia and Europe, such as Tanz im August, TPAM Yokohama, Zürcher Theaterspektakel and Frankfurter Positionen. In 2018, she received the Culture Centre of the Philippines 13 Artists Award and, in 2019, the Hugo Boss Asia Art Award.

Venuri Perera

is a choreographer, performance artist, curator and educator from Colombo. Exploring the power dynamics of visibility and opacity, she attempts to destabilise how we perceive the ‘other’. Her solo and collaborative creations deal with violent nationalism, patriarchy, immigration, colonial heritage and class and were invited to festivals/biennales/symposia across Europe, South and East Asia, the Middle East and Africa since 2008. She has closely collaborated with choreographers Geumhyung Jeong and Natsuko Tezuka. Venuri conceived and curated the projects of the Colombo Dance Platform (2015–2020, Goethe-Institut) and is committed to continuing to create support networks for the independent dance scene in Sri Lanka. A graduate of DAS Theatre, she is currently based in Amsterdam.

12.10.
Sat
21.00
90 min
12.10.
Sat
21.00
90 min
TQW Studios
Free admission, registration required

In English

Tickets for the 12 October performance are available via registration with Island Tides.

Limited number of seats

 
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