Dance & Performance 
Florentina Holzinger

TANZ

A sylphic reverie in stunts
Florentina Holzinger

studied choreography at the School for New Dance Development (SNDO) in Amsterdam. Kein Applaus für Scheiße (2011), the first joint production of Florentina Holzinger and Vincent Riebeek, earned them a reputation as “most provocative new choreographers” straight away.

In addition to further collaborations with Riebeek (Spirit, Wellness and, most recently, Schönheitsabend), Holzinger presented the solo Recovery in 2015, in which she processed the trauma of a serious accident she had during a performance. This was followed by Apollon, a piece in which Holzinger turned George Balanchine’s neoclassical ballet Apollon Musagète into a circus freak show with muses performing bizarre tricks rather than dancing attendance on the god.

Credits

Concept, performance, choreography 
Florentina Holzinger 
Performance by and with 
Renée Copraij, Beatrice Cordua, Evelyn Frantti, Lucifire, Annina Machaz, Netti Nüganen, Suzn Pasyon, Laura Stokes, Veronica Thompson, Lydia Darling 
Video design, Live camera 
Josefin Arnell 
Sound design, Live sound 
Stefan Schneider 
Light design, Technical director 
Anne Meeussen 
Stage design 
Nikola Knezevic 
Stage assistant 
Camilla Smolders 
Technical assistant 
Koen Vanneste 
Dramaturgy 
Renée Copraij, Sara Ostertag 
Coaching 
Ghani Minne, Dave Tusk 
Music coach 
Almut Lustig 
Outside eye  
Michele Rizzo, Fernando Belfiore 
Theory, research  
Anna Leon 
Costume advisor, tailor 
Mael Blau 
Prosthetic, mask 
Students of Wigs, Make-up and Special Make-up Effects for Stage and Screen, Theaterakademie August Everding (Munich), Marianne Meinl 
Stunt support 
Haeger Stunt & Wireworks 
Stunt instructors 
Stunt Cloud GmbH (Leo Plank, Phong Giang, Sandra Barger) 
Management 
Something Great (Berlin) & DANSCO (Amsterdam) 
International distribution 
Something Great (Berlin)  
Executive production 
Laura Andreß 
Financial administration 
Julia Haas/SMART (Vienna) 
A coproduction by 
Spirit and Tanzquartier Wien, Spring Festival (Utrecht), Theatre Rotterdam, Künstlerhaus Mousonturm (Frankfurt), Arsenic (Lausanne), Münchner Kammerspiele, Take Me Somewhere Festival (Glasgow), Beursschouwburg (Brussels), deSingel (Antwerp), Sophiensaele (Berlin), Frascati Productions (Amsterdam), Theater im Pumpenhaus (Münster), asphalt Festival (Düsseldorf) 
Supported by  
O Espaço do Tempo (Montemor-o-Novo), Fondation LUMA (Arles) and De Châtel Award (NL)  
Thanks to 
CAMPO Gent, ImPulsTanz, Eva Beresin, Stefanie Leitner, Tanz-Archiv MUK Wien, Stimuleringsfonds Creative Industries, Mochi Catering (Vienna), Andres Stirn
 
Funded by  
Cultural Department of the City of Vienna, Arts and Culture Division of the Federal Chancellery of Austria and Performing Arts Fund NL 

TANZ

A sylphic reverie in stunts

„Feminism, of course, has always been an exercise in science fiction.“ — Laurie Penny

Florentina Holzinger has enriched the international performance scene with dizzying acrobatics, muscular women’s bodies and martial-arts fight scenes since 2011 – a generous helping of pop-cultural references and a penchant for trash included. TANZ completes her trilogy – Recovery and Apollon were the first two parts – about the body as a spectacle, and its disciplining. A ballet class under the direction of Beatrice Cordua, the first ballerina to dance Le sacre de printemps naked (John Neumeier’s Le Sacre, 1972), provides the framework for TANZ. The performers undergo rigorous training in “action ballet”, the so-called “sylphic studies”. In joint rituals, they learn to master their bodies and minds, and they acquire supernatural powers, such as flying. A quest for perfection in an ephemeral world, during which the gross is transformed into the sublime. In an operatic setting, brutal parodies of sensationalist images emerge, as seen in ballet, comedy and pornography. The gaze regime finds reflection in the character of a porn producer who documents the performance. With a cast of women between the ages of twenty and eighty, all of whom have different backgrounds in dance, TANZ raises the question of the legacy of dance. How can the cult of beauty inherent in this tradition be reconciled?

Watch teaser

Watch trailer

At the request of Florentina Holzinger we would like to draw your attention to the following crowdfarming project: gift and adopt an apple tree at Bruggerhof (Styria, Austria) and help us restore biodiversity. We only plant rare traditional local varieties that have decreased in population over the last decades. Your contribution will result in some tasty returns. You can either harvest the apples of your tree on your own (no shipping, only pickup) or you can donate them to local schools or non-profit organisations. Find out more.

 

Florentina Holzinger

studied choreography at the School for New Dance Development (SNDO) in Amsterdam. Kein Applaus für Scheiße (2011), the first joint production of Florentina Holzinger and Vincent Riebeek, earned them a reputation as “most provocative new choreographers” straight away.

In addition to further collaborations with Riebeek (Spirit, Wellness and, most recently, Schönheitsabend), Holzinger presented the solo Recovery in 2015, in which she processed the trauma of a serious accident she had during a performance. This was followed by Apollon, a piece in which Holzinger turned George Balanchine’s neoclassical ballet Apollon Musagète into a circus freak show with muses performing bizarre tricks rather than dancing attendance on the god.

Credits

Concept, performance, choreography 
Florentina Holzinger 
Performance by and with 
Renée Copraij, Beatrice Cordua, Evelyn Frantti, Lucifire, Annina Machaz, Netti Nüganen, Suzn Pasyon, Laura Stokes, Veronica Thompson, Lydia Darling 
Video design, Live camera 
Josefin Arnell 
Sound design, Live sound 
Stefan Schneider 
Light design, Technical director 
Anne Meeussen 
Stage design 
Nikola Knezevic 
Stage assistant 
Camilla Smolders 
Technical assistant 
Koen Vanneste 
Dramaturgy 
Renée Copraij, Sara Ostertag 
Coaching 
Ghani Minne, Dave Tusk 
Music coach 
Almut Lustig 
Outside eye  
Michele Rizzo, Fernando Belfiore 
Theory, research  
Anna Leon 
Costume advisor, tailor 
Mael Blau 
Prosthetic, mask 
Students of Wigs, Make-up and Special Make-up Effects for Stage and Screen, Theaterakademie August Everding (Munich), Marianne Meinl 
Stunt support 
Haeger Stunt & Wireworks 
Stunt instructors 
Stunt Cloud GmbH (Leo Plank, Phong Giang, Sandra Barger) 
Management 
Something Great (Berlin) & DANSCO (Amsterdam) 
International distribution 
Something Great (Berlin)  
Executive production 
Laura Andreß 
Financial administration 
Julia Haas/SMART (Vienna) 
A coproduction by 
Spirit and Tanzquartier Wien, Spring Festival (Utrecht), Theatre Rotterdam, Künstlerhaus Mousonturm (Frankfurt), Arsenic (Lausanne), Münchner Kammerspiele, Take Me Somewhere Festival (Glasgow), Beursschouwburg (Brussels), deSingel (Antwerp), Sophiensaele (Berlin), Frascati Productions (Amsterdam), Theater im Pumpenhaus (Münster), asphalt Festival (Düsseldorf) 
Supported by  
O Espaço do Tempo (Montemor-o-Novo), Fondation LUMA (Arles) and De Châtel Award (NL)  
Thanks to 
CAMPO Gent, ImPulsTanz, Eva Beresin, Stefanie Leitner, Tanz-Archiv MUK Wien, Stimuleringsfonds Creative Industries, Mochi Catering (Vienna), Andres Stirn
 
Funded by  
Cultural Department of the City of Vienna, Arts and Culture Division of the Federal Chancellery of Austria and Performing Arts Fund NL 
03.10.
05.10.+
11.10./
12.10.
Thu–​Sat+​Fri/​Sat
19.30
03.10.
05.10.+
11.10./
12.10.
Thu–​Sat+​Fri/​Sat
19.30
TQW Halle G
€ 20/15/10

No admission under 18 years

Duration: 2 hours, no intermission

In case of sold-out performances waiting numbers for remaining tickets are handed out at the evening box office opening one hour before showtime.

In some scenes self-harming acts are portrayed, which could have a disturbing effect on some viewers.

 
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