Tanzquartier Wien

“concrete fake poetry news” — The New York Times

We reclaim the meaning of words and build the foundation for our own house. Our voices comprise many tongues. Unspelling is a performative text montage in which Andrea Maurer, Sara Manente, Lissie Rettenwander and Bruno Pocheron hijack the language of newspapers. In a deconstructive manner, they penetrate the inner workings of sentence structures and abduct words in order to set them free. Posing as miners of and intruders into the order of language, they do not only lay a finger on language, but they also illustrate what the eye, the foot, the tongue and the ear can do. They exit the space of mutual intelligibility. Headlines serve as the basis for language material, keywords are being perforated, and paragraphs will be hollowed out. Unspelling dissects in order to create new links, to monitor and compose: One person reads, a word falls under the table, the leg of the chair is made to hit in time, a shoe hurtles through the air, the lights go down.