Private Anatomy Sessions

Anne Juren (FR/AT)
Workshop/Open Level
© Lise Lendais 
Anne
Juren,

born in Grenoble, is a choreographer, dancer and performer. She lives and works in Vienna. In 2003, she founded the Wiener Tanz- und Kunstbewegung association together with visual artist Roland Raagas. Juren’s choreographic pieces and artistic works are shown in theatres and museums, at festivals and biennal exhibitions worldwide. Juren seeks to expand the concept of choreography in her work.

She explores the physis, the sensory system, kinaesthesia and sensuality by challenging the boundaries between the private and the public. Anne Juren has been a Feldenkrais® Practitioner since 2013. She is currently a member of the Artistic Committee of the Master in Choreography programme at DOCH (Stockholm) and is writing her thesis at the Stockholm University of the Arts under the supervision of André Lepecki and Sandra Noeth.

Anne Juren (FR/AT)
Wed07. 
Nov
18.00–19.00
TQW Studios

Duration approx. 45–60 minutes

Price per person: € 10

In this series of private anatomy sessions, Anne Juren invites the spectator for a one-on-one experience in a theatrical space, which can be enlarged to a couple, family or small group session. She offers the audience to be part of its own personal fantasmical anatomy focusing on a topic relating to a specific body part which the guests can propose themselves.

Anne
Juren,

born in Grenoble, is a choreographer, dancer and performer. She lives and works in Vienna. In 2003, she founded the Wiener Tanz- und Kunstbewegung association together with visual artist Roland Raagas. Juren’s choreographic pieces and artistic works are shown in theatres and museums, at festivals and biennal exhibitions worldwide. Juren seeks to expand the concept of choreography in her work.

She explores the physis, the sensory system, kinaesthesia and sensuality by challenging the boundaries between the private and the public. Anne Juren has been a Feldenkrais® Practitioner since 2013. She is currently a member of the Artistic Committee of the Master in Choreography programme at DOCH (Stockholm) and is writing her thesis at the Stockholm University of the Arts under the supervision of André Lepecki and Sandra Noeth.

 
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