Faulting & folding
Practices of touch, of nurturing attention, of thinking emerge as sensorial bodies. Each day, we will engage with a different stratum of the assemblage: the hydrocommons seeping through the folds of the earth, caressed by whirls of air.
In a workshop setting, we practice moving as a tangible, material practice of sense-making, developing fluency between thinking and doing, reading and moving, touching and dancing.
choreo-ethical assemblages as mobile geology of morals* bound to singular, aesthetic-communicative situations get probed in practice.
Various ‘alivenesses’ and hybrid entanglements occur, and we investigate the nanopolitical dimensions nested into choreo-ethical ecologies.
works as an artist-researcher focusing on contemporary performance, especially its ramifications into the choreographic and the ethical. She is a Senior Artist at the Angewandte Performance Laboratory, performs and teaches internationally (ArtEz – MA Performance Practices and Codarts – MA Choreography) and currently holds an Elise-Richter Fellowship (FWF). Together with Vera Sander, she co-edited the book (per)forming feedback (2016), and with Emma Cocker and Nikolaus Gansterer Choreo-graphic Figures: Deviations from the Line (2017). She published the monograph Being in Contact – Encountering a Bare Body (2021) and recently the anthology Bare Bodies – Thresholding Life.
€ 36/*15 per day
Language: German, English