Alix Eynaudi, Eliana Otta, Peter Kutin, Gáddjá Haarla Pieski
15 Uhr (ongoing)
Alix Eynaudi
Rest(s)
(tournée/practice-in-motion)
16 Uhr
Eliana Otta
Tales of loss and mourning, gestures for collective mending
(listening circle and sensorial tent)
17.45 Uhr
Peter Kutin
ROTOЯ – A Sonic Body
(procession/sonic interruption)
18 Uhr – entfällt wegen Krankheit
Gáddjá Haarla Pieski
Going Through Thoroughly
(circle dance)
On Sunday afternoon, we gather for Rest(s) with Alix Eynaudi, a (deep) choreographic hanging out session, where among others, we practice ‘slipping words under the skin’.
In her ‘listening circle’, Eliana Otta considers objects of loss, mourning practices and transformative politics based on her research in Greece and Peru, then hosts us in the ‘sensorial tent’ for a session of drawing, movement, and immersion in silence to explore the possibilities of collective mending.
A ‘sonic interruption’ by experimental musician Peter Kutin brings us back to the space of Halle G, which Gáddjá Haarla Pieski invites us to scan thoroughly. Her ‘circle dance’ revolves around the sense of place and pushes against the walls that enclose us. Let’s imagine that we are out in the open, perhaps on a mountaintop and if we spin or twirl, we create a 360-degree horizon.
dances, works and writes between craft and chaos in a (most of the time) joyful mess. She doesn’t work alone; any event, research, or invitation is an alibi to spend time with accomplices, a mesh of friendships scintillating under skins, a stirring of full-of-wonder support. She specialises in (deep) choreographic hanging-out sessions. alixeynaudi.com
(Lima, 1981) is an artist with a Master in Cultural Studies. She creates spaces for conversation, trust and curiosity through shared intimacy with projects that involve pedagogical, curatorial and editorial work. Her current PhD project, Lost & Shared: A laboratory for collective mourning towards affective and transformative politics, investigates how art can enable the collectivisation of mourning, creating dialogues between theory and affective labour through collective experiments that connect emotions, critical thinking, body and space. She coordinated the curatorial team at Lugar de la Memoria (Museum of Memory) in Lima and has taught at Pontificia Universidad Católica del Perú. She co-founded the artist-run space Bisagra in Lima and belongs to the collective Mouries in Athens. She is a PhD Candidate at the Academy of Fine Arts, Vienna, and has an eternally amateur alter ego, dj Flaquita. eliana-otta.com
studierte Szenografie und Bildhauerei an der Akademie der bildenden Künste Wien und an der Royal Academy of Fine Arts in Antwerpen. In ihren Skulpturen und räumlichen Settings befragt sie den Anthropozentrismus und imaginiert, wie die Koexistenz von menschlichen und nichtmenschlichen Tieren, Natur und Technologie in Zukunft vollzogen wird. Entsprechend den hybriden Beziehungsmodi verwendet sie für ihre Objekte sowohl organische Materialien als auch industriell hergestellte Stoffe. Für TOGETHER THE PARTS hat sie großteils mit Elementen gearbeitet, die davor Bestandteil anderer Konstellationen waren. So entstehen Materialverbindungen, die für das Festival eingegangen werden und danach in neue Kontexte transformieren können.
is a performer, dancer and choreographer coming from Dálvadas, Ohcejohka (Utsjoki), from the Finnish side of Sápmi. She graduated from The Finnish National Opera Ballet School in 2019, and recently she got her Bachelor in Dance Diploma at P.A.R.T.S. Together with Biret Haarla Pieski, she created the performance Starting from Staring, which premiered in Beursschouwburg (Brussels) and will be presented in Helsinki as part of the Baltic Circle Festival. Gáddjá has also worked with visual artist Outi Pieski on the video installation Guhte Gullá at Helsinki Biennale 2021 and Marja Helander on an award-winning short film Birds in the Earth, Sundance Film Festival 2018. Currently, she is part of the performance Matriarchy by Pauliina Feodoroff, presented in the Sámi Pavilion at Venice Biennale 2022.
works with sound across genres, medium and media. Driven by curiosity and a collaborative ethos, Kutin has written and developed music, and sonic environments for film, theatre, performance, contemporary dance and the like and was directing several experimental short films and redisplays himself. He has performed at various notable music, film and media art festivals and venues across the globe, including Luff, 2daysArt, Mutek, Cafe Oto, Sonic Acts and Ars Electronica, among others. kutin.xyz/rotor-sonic-body
Credits
Rest(s)
Kostüm, Objekte An Breugelmans
ROTOЯ – A Sonic Body
Idee, Konzept Peter Kutin and Patrik Lechner Audio-Licht-Komposition Peter Kutin Mechatronik Matthias Lenz
Tagesticket: € 25/20/10
Wochenendticket* (3 Tage): € 60/42/21
Festivalpass* (6 Tage): € 90/60/42
* ausschließlich an der Kassa erhältlich